First, I know this is very late, but we just got the website up and running. So live with it. Now, on to the review.
“The Slip” is Nine Inch Nails’ 8th studio album and is also “Halo 27.” It’s called Halo 27 because (for all the people who don’t know) NIN labels everything they release, albums, singles, EPs, DVDs, EVERYTHING with a Halo number. The process of this album’s release was like this:
1: Trent Reznor posted the words “Two Weeks” on NIN’s website. Many people thought this meant another album because this was the same thing Trent did two weeks before the release of “Ghosts I-IV,” but many thought it was something else because Trent is infamous for taking up to 4 years to complete one album and “Ghosts I-IV” was released only 2 months earlier.
2: A bit later, the single “Discipline” was released to radio and on NIN’s website as a free download. The album was labeled as “?” and the extra comments said “Go to NIN.com on May 5th.”
3: May 5th finally came. A message written by Trent Reznor was put up. It said this: “thank you for your continued and loyal support over the years - this one’s on me”. Alongside this message was a download link to download NIN’s new album, “The Slip”, for free. It was released as MP3’s from the site, or FLAC, Apple Lossless, 24-bit, 96 kHz FLAC or WAV files from official torrents. I jumped on that like a monkey jumping for another branch.
Now, for the review:
Track One - 999,999: The intro track to “The Slip.” A very calm song with Trent saying “How did I slip into?” at the end. A very nice build up, and gives the beginning of 1,000,000 just that much more punch. 4/5
Track Two - 1,000,000: The first track with vocals and I have never heard a song that made me want to go and start a riot more. It comes in fast and hard and never stops one bit. It’s like a full-out nuclear attack on your ears. The drums are instantly recognizable and one of the, if not THE, most important parts of the song. Trent’s constant yelling (like he always does) just adds that much more punch and the ever so distorted guitar sounds like someone injected an ounce of musical static into the mixture, but, as always, it works perfectly. 5/5
Track Three - Letting You: From one riot-inducing song to another, Letting You sounds like NIN + extra distortion. Trent’s yelling during the chorus and his middle ground between yelling and singing in the verses make it feel like a whole marching army is singing. The drums are amazing, especially during the chorus, and the guitar is pushed to the limit with tons of different effects used and insanely fast playing. If you didn’t get up and punch someone in the face because of 1,000,000, this will be your saving grace. 5/5
Track Four - Discipline: Now, this is where we start to settle down. This is the album’s first, and as of right now, only single and it doesn’t have nearly as much punch as the last two tracks. Now, I’m not saying it’s a BAD song, it’s good. I just don’t seem to like it as much as the other tracks on the album. Trent’s “OoohoohoohOOHH”ing actually works well and the drums, as simple as they are, are still awesome. The guitar isn’t pushed to it’s limits at all, but it still provides a nice backing. The piano is almost haunting and adds that final touch. But all in all, I’m not THAT big of a fan of the lyrics. It sounds like they were trying to make “Closer Jr.” 3/5
Track Five - Echoplex: Now, this is one of my favorite songs on this album, and it is well deserving of that title. True, it’s a hell of a lot calmer then the past few songs, even Discipline, but the simplicity really contributes to the feeling that Trent is alone, as he sings. The guitar is very cool, very much during the bridge. The drums are samples this time but still are really cool. The piano is very chilling and adds a creepy undertone to the song. The last lines leave the song with bringing that creepy undertone up from under the song and bring it to view. 5/5
Track Six - Head Down: Now we get back to the riot-causing songs. The verse is nothing but distortion. The guitar is distorted. The drums even sound a bit distorted. Trent’s yelling comes back to say hello during the verses but during the chorus, it changes places with his singing voice. The chorus is A LOT calmer then the rest of the song and is actually kinda calming. The piano really helps bring the calming effect and the softness of the guitar is calming also. It feels like a relay race between the fast, jock type guy and the slow, fat nerd. But in a good way. 5/5
Track Seven - Lights In The Sky: This song actually creeps me out. All it is is Trent and a Piano. Nothing more. That’s it. The verse is very calming and the chorus is just downright haunting. Trent’s heartfelt lyrics add to the creepy effect so much and almost gives you goosebumps. It may be the shortest song on the album (apart from 999,999), but it is the album’s somewhat hidden gem. 5/5
Track Eight - Corona Radiata: Before the review, Corona Radiata is a part of your brain. It’s an actual body part. That’s what the name means.
So, many people call this song a waste of time or just a space filler. I think this is a very well placed space filler. The seven minutes and thirty-four seconds of almost nothing has such a calming effect, it’s scary. I mean, after listening to 1,000,000, Letting You, and Head Down, you listen to this and your will be one of the most calm people in the world. The nothing eventually builds up to a nice ending, but it is really nothing but a space holder. But it’s a GOOD space holder. 3/5
Track Nine - The Four of Us are Dying: Another instrumental, but not as calm as the last one. It is like a mix of Rock and Trance music. They have the Trance like synth, but they have the Rock like guitar to not steer TOO far away from rock. Overall, it’s ok. 3/5
Track Ten - Demon Seed: The last one. The big closing BANG. And, yes, this album does go out with one hell of a bang. This 5 minute outro to “The Slip” has the drums at their most beatish (I make words up, ok?) and the guitar is calm and yet un-calm at the same time and the piano adds a awesome, yet hard to notice backup for everything else. About 3 minutes in, the s**t hits the fan and everything blows up. Trent starts yelling, the guitar goes crazy and it is just awesome. Then we have a bit of a calm part, then we get our heads slammed into the wall of epic. Trent’s voice gets the effect of echo, the guitar is funky and it’s counterpart is distorted, the drums is still beatish, and Trent adds his signature haunting voice at the end. 5/5
Overall: 5/5. I love Nine Inch Nails. I know I labeled almost everything a 5/5, but to me, this album is just plain epic. It’s a distorted-though, synthed-up, screamed-out masterpiece.
A bit more info:
On July 22, “The Slip” was released as a Limited Edition CD/DVD combo. Only 250,000 were made and I have number 6,806. “The Slip” is available as the Limited Edition CD/DVD combo which includes:
CD with all 10 tracks
DVD with live rehearsals of 1,000,000, Letting You, Discipline, Echoplex, and Head Down.
A 24 page booklet.
One of 3 (Not sure if correct number) Sticker packs (depending on country)
All in a six-panel Digipack.
It was also released as a 180 gram gatefold vinyl LP with a 24 page booklet and the Limited Edition CD/DVD version should be at your local music store, they didn’t run out JUST yet.
“The Slip” is available for Free Download at http://theslip.nin.com.